Categories
Exhibition

Narisara Jirojananukun: Supermodern Romance

Narisara Jirojananukun presents her first solo exhibition Supermodern Romance at the UAL Space in Peckham Levels, London. Open from 27 November to 6 December, the exhibition consists of new and existing works blending illustration, fine art and photography. 

The exhibition is curated by Charmaine Wah

In Supermodern Romance, Thai artist Narisara Jirojananukun presents her interrogation of ‘non-places’ through the lens of an investigator at Waterloo Station, London. The exhibition title references French anthropologist Marc Augé’s text ‘Non-places: An Introduction to an Anthropology of Supermodernity’ (1992). Augé posits that non-places, such as train stations, are transient spaces designed to lack specificity in our supermodern landscape, characterised by overabundance and excess. These are spaces where people remain anonymous and lonely. 

Jirojananukun’s work critically inquires about the extent to which non-places lack connection and collective meaning. Through a series of investigative photography, moving image, etching and painting, she reveals and reconnects with brief moments of intimacy. Such scenes include waiting for a loved one with two coffees in hand, the shared anticipation and anxiety of watching train departure boards in a crowd and weaving towards the same direction as a stranger. Her work captures a train station’s gentle possessiveness in holding us in ephemeral moments of connection in our everyday lives. Even though we move apart, we still move towards each other. 

Text by Charmaine Wah

Poster by Narisara Jirojananukun

Artist and Curator Talk:
Supermodern Romance

Come join us at the UAL Space at Peckham Levels for an informal tour of the exhibition, Supermodern Romance. This exhibition was born from a collaboration between University of the Arts London (UAL) MA Illustration student, Narisara Jirojananukun, and MA Curating and Collections student, Charmaine Wah.

In this in-person talk, get an exclusive insight into the artistic and curatorial processes behind the exhibition, our experience navigating artist-curator collaboration, and an open discussion on the exhibition themes in the cosy pantry of the UAL Space. See you there!

Date: 29 November 2024, Friday

Time: 1pm – 2pm

Venue: UAL Space, Level 6

This talk is open to the public, reserve your free ticket on Eventbrite here: 


Artist biography: 

Narisara Jirojananukun is a Thai illustrator, photographer, and visual artist whose work bridges storytelling, printmaking, and photography. Her practice explores moments of human connection in everyday and transient spaces, capturing the subtle beauty of touch, gestures, and interaction. Her ongoing research focuses on how printmaking and photography intersect to create tactile and visual narratives that reflect shared human experiences. She aims to create works that are simple, accessible, and uplifting, drawing inspiration from small, beautiful moments in the world. She is currently completing an MA in Illustration at Camberwell College of Arts, University of the Arts London, where her practice-based research focuses on connection and humanity. Prior to this, she earned a Bachelor of Medical Education Technology (First Class Honors) from the Faculty of Medicine, Mahidol University, Thailand.

Website: www.pgnarisara.com 

Instagram: @pgnarisara

Curator biography:

Charmaine Wah is a Singaporean curator, producer and researcher. Approaching exhibitions as informal learning spaces, her creative practice examines heritage, subcultures, archives and the sonic. Her ongoing research investigates do-it-yourself (DIY) archives of Singaporean experimental and punk subcultures and how they exist at the intersection of political ideology, heritage and cultural memory. In a previous life, she conducted research in mathematics education and education psychology. She is currently completing a MA in Curating and Collections at Chelsea College of Arts, University of the Arts London. She previously graduated with a Bachelor of Social Sciences with Honours (Distinction) in Psychology from the National University of Singapore.

Instagram: @charcharwah

Categories
Exhibition Workshop

Wing Sze Kung: Unfolding Cultural Heritage Echoes

Unfolding Cultural Heritage Echoes is a solo exhibition features work by illustration artist Wing Sze Kung. The exhibition explores the preservation and transformation of cultural heritage in the dynamic contexts of Hong Kong and London. 

Dates: 20 – 22 Nov 2024, 11am – 6pm

Private View: Wednesday 20 Nov 2024, 6.30 – 8.30 pm

“In the face of rapid social and economic change, the exhibition showcases a collection of spatial design, illustration, and animation works. Together, that explores how culture and craftsmanship can persevere and transform, inspiring new connections to our shared past, present and future.

Through the lens of collective memory and sense of place, the exhibition explores the multi-layered dimensions of community, traditional practices and cultural environments, highlighting how these elements bridge generations, time and place. Celebrating the spirit of Hong Kong’s bamboo crafts and London’s Chinese New Year parade, the exhibition invites viewers to interact through narrative illustration and animation, facilitating public awareness and appreciation of cultural preservation.”
— Wing Sze Kung

More about the artist 

Website: www.wincykung.com

Instagram: wincy_szee


Workshop: Exploring Cultural Heritage: Making, Sharing, Transforming

Date: Wednesday 20 Nov 4.30 – 6.15 pm


This workshop aims to facilitate cultural exchange by encouraging you to share and deepen your understanding of cultural heritage through creative making, sharing, and transformation.
Together, we will explore and share cultural traditions, developing a “visual toolkit” and mask to helps transform cultural elements into visual expressions and narrative storytelling. This process builds appreciation for cultural diversity and raises awareness of the importance of cultural preservation. After the making session, we will have a mini exhibition to showcase and celebrate our collective cultures.

Categories
Exhibition Fair Festival Publishing Workshop

PDF – Public Dissemination Festival

 PDF – Public Dissemination Festival is a four-day event filled with exciting activities, workshops, exhibition and pop-up shop all about sharing with the public what we were working on during our MA Illustration course.

Programme details

Illustrators working with/in Education

4th of November, 11:30-15:30

Illustrators working with/in Education is a series of creative workshops designed by second year MA Illustration students, who have chosen education as their focus! These sessions are tailored for first year MA Illustration students and offer a unique opportunity to collaborate, explore and learn from your peers.

Illustrators working with/in Research

5th of November 17:00-20:00

We explore the vast potential of practice-based research, diving deep into illustration from diverse perspectives and methodologies. Each topic will unfold as a visual essay, connected by a common thread that ties our creative inquiry together. Join us for a journey into research – reimagined in a more artistic, engaging, and thought provoking way.

Illustrators working with/in Publishing

6th of November 17:00-20:00

Illustrators working with/in Publishing is a vibrant showcase of creativity where book pitches take the center stage! This event brings together a diverse array of commercial book pitches, from picture books to graphic novels, recipe books and more.

Illustrators working with/in Residency 

7th of November 17:00-20:00

Illustrators working with/in Residency is a V&A inspired Residency exhibition by second year MA Illustration students, where we will be showcasing our work inspired by the collection of the V&A. Each of the students has produced an artwork based on an item or collection from the museum in theme with their Final Major Project. The exhibition displays a wide range of works exploring different themes and visual approaches to the V&A’s collection.

Categories
Exhibition

The Extraordinary of the Everyday (Bounce Fund Awarded)

We are flooded with soul-destroying news, both on a global and personal scale which at times is so overwhelming as to render us incapable of responding in a humane or constructive way.

Oops! Orange Collective presents a collection of curated artworks on the theme of The Extraordinary in the Everyday. Our exhibition is an antidote to that (occasionally literal) torrent of effluent, showing the endless possibilities and the beauty within what routine and familiarity render mundane.


Meet the artists

Exhibition Opening

About Odd Orange

We’re the Odd Orange Collective, a group of 13 MA Illustration student studying at UAL Camberwell College of Arts, we spanned three continents, speaking 10 languages, and holding degrees in fields from architecture to graphic design. Our collective diversity across ages and disciplines drives our unique creativity.

Contact details

Instagram: @the.oops.orange

Email: oops.orange.collective@gmail.com


Q&A with the Oops! Orange Collective

(Answers provided by Tra Nhu, on behalf of the collective)

1. Introduction of the collective and the exhibition

We are Oops! Orange collective (@the.oops.orange), a group of 13 students from MA Illustration 23/24 course at Camberwell College of Arts. We exhibited a group show named ‘The Extraordinary in the Everyday’ at Peckham Levels, thanks to the support of the Bounce Fund.

2. Have you ever organised an event/exhibition like this before?

As a collective, this was the first exhibition that Odd Orange has put on. All the members of the collective have individual professional practices, but not all of us have previously worked together to create art as part of a collective endeavour. Therefore, this exhibition was a great learning opportunity and a foundation upon which we could build our future activities together with substantial impacts.

On an individual level, since many of our 13 members haven’t got the experience of organizing a group show, this has allowed each of us to learn more about our own creative practices as well as the varying skillsets of applying for a fund, of curation and event organization.

3. Has it changed your practice?

The answers might vary depending on each member of the collective, but in general the show and the fund has brought positive change to our creative practice. For one, we now understand our capacity and harmony as a collective, and we have became more encouraged to organize group shows and events. We also got to test out our artwork in an exhibition setting, which was very exciting for Illustration students as our work are not often made for that context.

4. Has it improved your networks?

Definitely yes! We had quite an excellent turn out for our Private viewing evening and through out our show, got to meet new friends and conversed with the audience about our artworks. But most importantly, since we are a relatively large collective (13 members of different generations and backgrounds!), this show had really pulled us in together and became close friends.

5. In what other ways do you think the fund supported your professional practice?

Firstly, this is the first time applying for a fund for most of us, so it has been a really positive learning experience. The team at Peckham Levels and Millbank Tower both gave us great guidance and feedback, which really empowered us.

Second, it really helped us in marketing our show to a large audience, by providing funding for printing promotional materials and catalogues.

6. What would you do differently if you were to organise another event or exhibition?

We will definitely allow more time for marketing and promotion! But most importantly, we will find more ways for the artists to collaborate, such as working together on artworks or on a project, or curating the artworks in ways so that they can interact and correspond better to one another and to the whole group.

7. Can you share any important moments or highlights from your event/exhibition?

We had many ‘meetings’ at the local pub leading up to our exhibitions (as well as celebrations after our successful endeavors)! Those were truly fun times that bought us closer to each other, especially as many of us are international students just moving to London. It gave us a community to bond with and practice our arts together.

The Private Viewing was a fun time with our friends, families and guests all gathered to share our excitement, and that really made the 2 months of hardwork paid off.

Categories
Exhibition

Don’t Look, I’m Not Finished

Don’t Look I’m Not Finished: A Show On/In Progress

We are focusing on work that reflects a transition in our practice that we will take from our Unit 9 to 10, and beyond.

List of Works

Categories
Exhibition

Extension

This exhibition is a showcase of work done by five illustrators; Gabrielle Tam (ONIONPETERMAN), Kaishuo Tu, Mamo Kawakami, Michelle Culley and Sorcha Lynch.

Private View: 1st December, 5-8pm

Open from 1st December to 8th December 2023

Some words from the artists:

“The exhibition is a showcase of work done by five illustrators, in which we utilised the studio space at Peckham levels as a place to work on our independent projects, forming a small community in a professional environment where we were able to continue the momentum of the work we started in our course. The title “Extension” refers to our expanded perspectives, both as a result of the change in scenery between two studios but also as a result of the work we’ve done throughout our course.

When observing something, there are a variety of ways in which to do so. One can peer closely at the object, scrutinising it up close; one can look at it from different angles, or compare it to other objects of a similar type. In the same way, when we explore a discipline, there are a multitude of ways in which to research, and the way an individual approaches their research is a direct reflection of who they are. This exhibition is a consummation of the work done by a change in perspective, extending our ways of working and following our individual curiosities. Manifested in the form of illustration, we hope that our work will pique your curiosity as well.”

Poster designed by Mamo Kawakami
Categories
Symposium

Working With/In

Working With/In: The Matter of Materiality, Communal Relationships, In/Visible Un/Seen is a research symposium hosted by MA Illustration at Camberwell College of Arts.

Date: 2-5pm 8th November 2023

Venue: The Gig Space at Peckham Levels

Contact: g.proskourinebarnett@arts.ac.uk

Graphic Design: King-Yin Gabrielle Tam